The conceptualization of science fiction through techno is nothing new, especially not for Robert Hood. As far back as his first albums, Internal Empire and Minimal Nation, Hood has posited the existence of other worlds, alternate realities, supposed futures. His latest long player Omega continues this recurring theme, postulating a post-apocalyptic world of decay and decrepitude in which one man works to find a cure for a plague that has rendered any human survivors zombies.
